Friday, December 15, 2017

Henry Stephenson - A Lovable Old Gent

Once Upon a Screen, Outspoken and Freckled, and Paula's Cinema Club have once again teamed up to host the fabulous What a Character! Blogathon giving us film fans a chance to gush about those unsung heroes of the silver screen - character actors. What would classics such as Gone with the Wind be without the likes of Thomas Mitchell or Hattie McDaniel? What would It's a Wonderful Life be like without character actors Beulah Bondi, Henry Travers, Lionel Barrymore, or Samuel S. Hinds? It is the character actors who give a film that extra special touch, and recognizing these same actors appearing in similar parts in various films gives the audience a feeling of familiarity, making them all seem like dear old friends. 

Henry Stephenson is an especially lovable character actor. This kindly gentleman graced the stages of London and New York and the silver screen for nearly thirty years, often portraying genial men of distinction. His presence lent a touch of class to every film he appeared in. He played opposite Errol Flynn in five films at Warner Brothers, and Metro-Goldwyn-Mayer and 20th Century Fox studios kept Stephenson especially busy in historic period productions throughout the 1930s and 1940s. 

Henry Stephenson Garroway was born on April 16, 1871, in Granada ( British West Indies ) and was educated in England, where he also played rugby... but not professionally like that other famous British character actor C. Aubrey Smith. He made his Broadway debut around the turn of the century in "A Message from Mars" and, with the advent of motion pictures, Stephenson ventured into the new medium in 1917. Unfortunately, like many character actors, he did not make a name for himself until he settled into supporting roles, both on stage and in film. 


At MGM and RKO, Stephenson found his niche portraying both imposing and benevolent gentlemen in such classics as Red-Headed Woman ( 1932 ), A Bill of Divorcement ( 1932 ), Cynara ( 1932 ), What Every Woman Knows ( 1934 ), The Night is Young ( 1935 ) and Mutiny on the Bounty ( 1936 ). One of his most well-remembered films during this period was the classic Little Women ( 1933 ) starring Katharine Hepburn. Stephenson portrayed dear old Mr. Laurence, the March girls' neighbor, who although having a face that "may frighten some people, his eyes are kind and I like him!". C. Aubrey Smith would later portray Mr. Laurence in the 1949 MGM remake. 

In 1935, Stephenson appeared opposite Errol Flynn as Lord Willoughby in the classic swashbuckler Captain Blood. He would also perform with Flynn in The Charge of the Light Brigade ( 1936 ), The Prince and the Pauper ( 1937 ), and The Private Lives of Elizabeth and Essex ( 1939 ) portraying either lords or dukes. Stephenson simply had that regal bearing that befitted one born of royal blood. He was a count in Conquest ( 1937 ), Marie Antionette ( 1938 ), and Suez ( 1938 ), and in the Deanna Durbin vehicle Spring Parade ( 1940 ) he was promoted to an emperor, none other than Emperor Franz Joseph. 


Stephenson and Katharine Hepburn in Little Women ( 1933 ) 
But it was tender-hearted paternal roles that suited Henry Stephenson best. In the 20th Century Fox musical Down Argentine Way, Stephenson played Don Diego Quintana, a proud Argentinian who learned to quench the fire of an old family rivalry to see his son ( Don Ameche ) happily wed. Although he often portrayed wealthy and illustrious gentlemen, his characters were rarely arrogant, and never ever villainous. Quite the contrary. It was Sir Ronald Ramsgate ( Stephenson ) who enlisted the aid of the great Sherlock Holmes to protect the crown jewels in The Adventures of Sherlock Holmes ( 1939 ), and it was Mr. Brownlow who helps rescue little Oliver from the clutches of Fagin in Oliver Twist ( 1948 ). 

When World War II broke out in 1939, Stephenson found himself cast as military men in a number of morale-boosting films. Once again, he played men who had to carry responsibility and make judicial decisions that would impact a great many lives. He was General Cathaway in the romantic This Above All ( 1942 ), Colonel Blimpton in the B-film mystery Halfway to Shanghai ( 1942 ), and General Hetherton in The Hour Before the Dawn ( 1944 ). Stephenson was also memorable as General Fitzgerald in the enchanting Enchantment ( 1948 ) where he portrayed the sympathetic father who adopts the young orphan Lark ( Gigi Perreau ) to raise as his own. 


Stephenson with Dolores Costello, Freddie Bartholomew, and Una O'Connor in Little Lord Fauntleroy ( 1936 ) 
Stephenson's last film was made just a year later in Challenge to Lassie, the final installment of the popular Lassie film series. He would make a handful of television appearances before retiring. Stephenson passed away at the age of 85 in 1956. He was survived by his daughter and his wife of many years, Ann Shoemaker, who was herself an excellent character actress ( Alice Adams, Stella Dallas, My Favorite Wife ). 

Thursday, December 14, 2017

TCM Big Screen Classics 2018

TCM and Fanthom have teamed up for another year-long celebration of classic film with their Big Screen Classics which will be screened in theaters across the nation. This year, they have a few particularly juicy titles mixed in with some questionable "classics" in their line-up of films : 

January: The Treasure of Sierra Madre ( 1948 ) Jan. 14, 16
February: The Philadelphia Story ( 1940 ) Feb. 18, 21
March: Vertigo ( 1958 ) Mar. 18, 21
April: Grease ( 1978 ) Apr. 8, 11
May: Sunset Boulevard ( 1950 ) May 13, 16
June: The Producers ( 1967 ) June 3, 6
July: Big ( 1988 ) July 15, 18
August: The Big Lebowski ( 1998 ) Aug. 5, 8
August: South Pacific ( 1958 ) Aug. 26, 29
September: Rebel Without a Cause ( 1955 ) Sep. 23, 26
October: Mr. Smith Goes to Washington ( 1939 ) Oct. 14, 17
November: Die Hard ( 1988 ) Nov. 11, 14
December: White Christmas ( 1954 ) Dec. 9, 12

For more information, check out Fanthom's website:  TCM Big Screen Classics - Fanthom Events. 

Sunday, December 10, 2017

Nugget Reviews - 24

Alas, there be no golden nuggets among this batch of films, but some of these movies are mighty entertaining nonetheless. 

Can't Help Singing ( 1944 )  14k 


A senator's daughter joins a wagon train en route to California in the hopes of meeting up with the lieutenant she wants to marry. On the way, she falls in love with a card shark. Deanna Durbin, Robert Paige, Akim Tamiroff, Leonid Kinskey, Ray Collins, David Bruce. Universal Pictures. Directed by Frank Ryan.

After making thirteen black-and-white films, the powers-that-be at Universal Studios decided to showcase their number one box-office attraction, Winnipeg's Sweetheart, in her first Technicolor production Can't Help Singing. The film was a great success combining light-hearted comedy and romance with beautiful western locales and some lovely tunes by Jerome Kern ( which were nominated for two Oscars ). A slew of wonderful character actors also appear, including Akim Tamiroff and Leonid Kinskey, who do a great bit of schtick involving Durbin's trunk. 

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How to Frame a Figg ( 1971 ) 14k


A city accountant gets framed by crooked politicians in a $50,000 swindle and must use the new accounting computer, L.E.O, to help him prove his innocence. Don Knotts, Frank Welker, Joe Flynn, Edward Andrews, Elaine Joyce. Universal Pictures. Directed by Alan Rafkin.

Don Knotts is fun to watch in every movie he made. How to Frame a Figg isn't as memorable as The Ghost and Mr. Chicken or The Reluctant Astronaut but it has its moments...many of them highly amusing. This was the last of a series of comedies that Knotts made for Universal Pictures. Later, he would team up with Tim Conway in such Disney classics as The Apple Dumpling Gang and Hot Lead, Cold Feet. Incidentally, while Frank Welker was great as Hollis' friend Prentiss, Tim Conway would have been an even better addition to the film. 

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The Man from the Alamo ( 1953 ) 14k.


John Stroud is branded a coward when he leaves the scene of the Alamo to check on his and the other soldiers' families back at their ranches in Ox Bow, but he later gets a chance to prove his courage when he protects a wagon train being attacked by a gang of outlaws. Glenn Ford, Julie Adams, Chill Wills, Victor Jory, Hugh O'Brien. Universal Pictures. Directed by Budd Boetticher. 

Throughout the 1950s, Budd Boetticher directed a number of low-budget westerns starring Randolph Scott. The Man from the Alamo could have easily been a Scott western, but instead, it stars the delightful Glenn Ford as the downcast soldier Stroud who is branded a coward. Julie Adams, one of the busiest Western stars of the era, didn't get much of a romantic part in this movie but adds a feminine touch to a very masculine film. Little Marc Cavell is also adorable as Stroud's only friend, Carlos. Overall, it's an entertaining but not very memorable western. 

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The Unholy Intruders aka Hinter Klostermauern ( 1952 ) 14k.


A middle-aged man returns home from the war and, unable to find lodging for his girlfriend and child, he moves them into an abandoned convent. When the nuns return to occupy it again, he refuses to leave and his presence proves to be a thorn to the nuns. Olga Tschechowa, Philip Dorn, Katharina Mayberg, Dorothea Wieck. Delta-Venus. Directed by Harald Reinl.

Thomas and Kathrin are two protagonists that you instantly want to hate, and it is very difficult for a film to hold the attention of its audience with the presence of anti-heroes. Yet, as Thomas ( Philip Dorn ) is just about to go from bad to worse, he has a change of heart and his redemption becomes the drawing feature of the film. Olga Tschechowa, that legend of the silent era, plays the prioress in this movie with such conviction. At one time Olga was accused of being a Russian agent in Nazi Germany. She obviously knows how to play many parts well! 

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Anne of Windy Poplars ( 1940 ) 14k


Anne Shirley takes up her first position as vice-principal in the town of Windy Poplars but finds she must first win over hostile faculty and feuding citizens before she receives a welcome. Anne Shirley, James Ellison, Slim Summerville, Henry Travers, Louise Campbell. RKO Pictures. Directed by Jack Hively. 

Six years passed before RKO decided to film a sequel to Anne of Green Gables ( 1934 ) which was based on L.M. Montgomery's book series of the same name. Anne Shirley, who portrayed Anne Shirley in the original film, returns to her namesake role, this time playing an older and more mature schoolteacher. The film trots along at a gentle pace and, while it isn't anything special, there are a number of good scenes, especially those involving character actors Slim Summerville and Henry Travers. Poor Anne sure has to put up with a lot of curmudgeons in Windy Poplars, but with her gentle ways she naturally wins them over by the end of the film....and gains a daughter too. 

Thursday, December 7, 2017

From the Archives : Pillow Talk ( 1959 )

Doris Day offers Tony Randall some candy during a break in between filming scenes from Pillow Talk ( 1959 ) in this "candid" publicity photo. This was the first of three films Day and Randall would make together.

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store: http://stores.ebay.com/Silverbanks-Pictures

Sunday, December 3, 2017

Olivia Hussey in Japan

In 1968, the adorable English-Argentinian born actress Olivia Hussey was chosen from among 500 actresses to play Juliet in Franco Zeffirelli's Romeo and Juliet after Zeffirelli had spotted her in a theater production of "The Prime of Miss Jean Brodie" two years earlier. This role launched her into instant international stardom but, unfortunately, it also triggered a bad case of agoraphobia which took her several years to recover from. 

Instead of taking medication for this condition, she treated herself with meditation. What not too many people know is that Hussey always had an appreciation for the Orient; their way of life, their music, and especially their practice of meditation. 

In 1978, Olivia Hussey traveled to Japan for a promotional tour/pleasure trip. Hussey was quite a sensation in the land of the midnight sun, and in many ways, her delicate facial features resembled those of one born Eurasian. While she was there she filmed a promotional spot for a cosmetics commercial. Hussey speaks a few words in Japanese and then addresses the audience in a slow and respectable tone of English. 



Shortly after this trip, Olivia Hussey married one of Japan's most famous singing stars, Akira Fuse ( her first husband was Dean Paul Martin ). Fuse traveled quite a bit doing concerts and, while they never performed together, Hussey did make a tea commercial with him in the mid-1980s. 

Hussey and Fuse bore a son, Maximilian, and then divorced in 1989. Whether she resided in Japan while they were married is uncertain, but judging from the commercial she seemed to be right at home there. 
This entry is a part of our latest series entitled "Did You Know?".....sometimes we just feel like sharing interesting fragments of television and movie history and now we have a place to do just that. If you have a hot tip that you would like us to share on Silver Scenes, drop us a line!

Wednesday, November 29, 2017

In This House of Brede ( 1975 )

"There is only one special friend here in this house for any of us. 'Thou shalt love the Lord thy God with all thy heart, with all thy soul, and with all thy mind'. This is the first and greatest commandment."

In 1975, Diana Rigg starred in the two-hour GE Theater production In This House of Brede as widow Philippa, a successful middle-aged London businesswoman who leaves "the world" to enter Brede Abbey, a Benedictine monastery, as a cloistered nun. 

This CBS television movie was loosely based on author Rumer Godden's engrossing masterpiece of the same name which was published in 1969. Both the novel and the film span a ten-year period and focus on Philippa's growth from a cold bitter woman to a compassionate and loving nun. 

When we first meet Philippa she is stern-faced, independent, and not particularly likable. She comes to Brede for the wrong reasons. She comes seeking a refuge from her past, "a place where God would be all and there would be no need of ever saying 'I love you' to another human being again". And then Joanna arrives. This sweet young novice makes Philippa realize just how deeply she longs for the love of the daughter that was taken from her years before. 

Philippa thought she could leave the memory of her daughter's death behind her but Sister Joanna's presence serves as a living symbol of the event. At first, she despises the girl for that reason but as her hatred transforms into love she comes to see Joanna as a gift from God ( the Biblical meaning of the name Joanna )....until Sister Agnes informs the abbess of their affection for each other. Special friendships within the community were frowned upon by the order. Philippa then realizes she must break away from Joanna. 

"It is such a bother loving people.....one always suffers in the end" 
In Godden's novel, Philippa was just one part of a rich complex tapestry that centered around the true heart of the novel - Brede itself. It is a beautiful novel that contains stories within stories, all of which unfold randomly, slowly revealing personalities and messages of wisdom. 

An accurate transcription to film of such a narrative would have resulted in an immense production - but it would have made a fabulous mini-series. Instead, to condense the story to its two-hour time frame, screenwriter James Costigan eliminated many of the characters and shifted the focus on Philippa's struggle to overcome her grief; rewriting the story to accommodate this. The resulting script had its good and bad points. While Costigan managed in part to capture the essence of the book, certain scenes were overly sentimental and the behavior of some of the nuns seemed improbable. 

In the novel, one of the more prominent characters was Sister Cecily, an angelically beautiful postulant that quickly becomes a favorite with Abbess Catherine and Dame Maura, the precentrix. Costigan eliminated the character of Dame Maura and cleverly transformed the bond she shares with Sister Cecily into a mother-daughter relationship between Dame Philippa and Sister Cecily, whom he renamed Joanna....which so happens to have been the name of Philippa's deceased daughter. As New York Times critic John J. O'Connor described this reworking, "It's a trifle too pat, considerably more calculating and less interesting. That much understood, In this House of Brede still emerges as inspired television." 
Indeed, it is an excellent production, and it is one of those rare films that saves its best moments for the final quarter. Cinematographer Christopher Challis ( Chitty Chitty Bang Bang ) beautifully photographed it, and the cast and crew traveled to the small village of Millstreet in County Cork, Ireland to film scenes amidst the authentic background of Drishane Convent, an impressive structure that serves a majestic purpose. This building becomes as much a part of the film as any of the characters. 

Dame Diana Rigg, who, for her part, was nominated for an Emmy for Outstanding Lead Actress ( Juliet Mills won for QB VII that year ), enacted the spiritual growth of Dame Philippa with great conviction. 
In This House of Brede also benefited from top-notch performances from Judi Bowkers as Sister Joanna, Denis Quilley as Philippa's former lover Sir Richard, and Nicholas Clay. Gwen Watford ( Cleopatra, Taste the Blood of Dracula ) perfectly captured the strong yet gentle and understanding nature of Abbess Catherine, while veteran English actress Pamela Brown ( I Know Where I'm Going, Lust for Life ) was an ideal Dame Agnes, intelligent but with a dangerously suspicious mind. 

"Whenever things seem too much for you, go down to the bottom of the garden and turn, and look back up here at Brede riding against the sky like a great proud ship. And think of all of us within - your sisters. Think of those who were here a hundred years ago and those who will be here a hundred years from now: this long unbroken line of care and companionship."
Click here to view In This House of Brede on Youtube. 

Sunday, November 26, 2017

Das Schweigen im Walde ( 1955 )

When my sister and I first started watching some of the German/Austrian "Heimatfilms" we were unfamiliar with any of the main or supporting actors that starred in these films, but the more of them we watched the more familiar the faces became and now there are always one or two recognizable characters in every new Heimatfilm that we see.

Well, Rudolf Lenz is a very recognizable face ( a handsome fellow he be ), and since he made so many Heimatfilms you are likely to see him in just about any one of the 1950s films that you choose to watch. He had a regal bearing, so he was generally cast as a count, duke, or other member of royalty. 

In Das Schweigen im Walde ( Silence in the Forest ) he was Prinz Heinz of Ettingen, a prince who takes a hunting holiday in the forests near the Salzburg mountains. While resting from a hike in the woods he spies a beautiful young woman ( Sonja Sutter ) riding upon a donkey in the midst of the morning sun. She is a painter named Lo Petri who lives in the forest with her little brother Gustl ( Heinz Christian ). Prinz Heinz befriends her and comes to visit her daily....but never lets on that he is a prince.

Meanwhile, Toni Mazegger ( Peter Arens ), one of the paid hunters that was assigned to the prince, becomes jealous of the attention that he is paying to Lo, whom he fancies as his girl. In a fit of rage, he decides to do a bit of hunting on his own one afternoon....setting his gunsight on the prince himself!
Like many of the Heimatfilms of the 1950s, Das Schweigen im Walde was based upon a book that was filmed numerous times over. The 1899 Ludwig Ganghofer novel formed the basic plot of the original version which was a silent film released in 1929. Another version was made in 1937, and then a remake of this film was made in 1976, all bearing the same title. 

Das Schweigen im Walde featured beautiful mountain scenery, a gentle romance between the prince and Lo, and some charming sets, but the story plot was not as engaging as some of the other Heimatfilms we have seen. The film lacked a humorous subplot as well as any traditional Alpine music, which is always nice to hear in the background. 

However, if Rudolf Lenz catches your fancy be sure to check him out in Heimatlos ( 1958 ) and Der Priester und das Mädchen ( 1958 ), both with Marianne Hold. 

Friday, November 24, 2017

From the Archives : A Canterville Ghost ( 1944 )

Little Lady Jessica ( Margaret O'Brien ) is whispering secret words to her pal Sir Simon of Canterville ( Charles Laughton ) the ghost of Canterville Castle in this scene from The Canterville Ghost, Metro-Goldwyn Mayer's charming 1944 adaptation of the Oscar Wilde classic. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store : http://stores.ebay.com/Silverbanks-Pictures

Wednesday, November 22, 2017

The Small Back Room ( 1949 )

Bomb expert and research scientist Sammy Rice ( David Farrar ) is recruited by Army captain Dick Stuart ( Michael Gough ) during the height of World War II to investigate a dangerous new bomb that the German's are scattering throughout Britain's beaches. Sammy struggles with alcoholism and a sense of worthlessness because of a recent injury which left him with a wooden leg, but when he puts his life on the line to disengage one of these bombs he realizes just how beautiful life is - even with a game leg. 

Director Michael Powell and screenwriter Emeric Pressburger made a number of excellent dramas in the 1940s which they released under the banner of their production company The Archers. The most famous of these films ( A Matter of Life and Death, Black Narcissus, The Red Shoes ) were beautifully shot in Technicolor by cinematographer Jack Cardiff. After the color explosion that audiences witnessed in The Red Shoes, Powell decided to return to using black and white film, which the Archers were known for throughout the 1930s. This was a good choice for it emphasized the despair and the struggles that our hero, Sammy, was facing. Adding to his worries, the research department that he works for happens to be undergoing a shift in management and Sammy feels that his prospects for the future seem as bleak as the work environment he is accustomed to. The title The Small Back Room cleverly refers to the department's makeshift offices. ( In the U.S, the film was released as Hour of Glory, which was an equally fitting title ).  

Like most of the Powell/Pressburger films, The Small Back Room features some stunning camerawork ( Christopher Challis was the cinematographer ) and moving performances from all of the principal players, especially from the underrated David Farrar. However, the film lacks the momentum of the Archer's other pictures. The mystery of the German bombs that are being randomly dropped throughout Britain is the thread that binds the story and yet it seems to be hidden among the tangled netting of Sammy's personal travails until the final quarter of the picture. Sammy's struggle with self-worth and his romance with Susan, a secretary, instead take center stage. 
Kathleen Byron, another underrated actress ( and one of Michael Powell's favorite players ) portrays this secretary. This character is quite unlike the neurotic Sister Ruth that Byron is famous for playing in Black Narcissus ( 1947 ). Susan is a lovely woman who stands behind Sammy in his moments of darkness.

The Small Back Room isn't one of Powell and Pressburger's best works but it has its moments of glory and it offers an insightful look into the emotional/moral struggles that many of the "back room boys" must have been wrestling with during the war. Cyril Cusack, Jack Hawkins, and Leslie Banks also star. 

Friday, November 17, 2017

The Doombolt Chase ( 1978 )

HTV, an independent British production company, released a number of memorable children's television series throughout the 1970s and 1980s....one of which was The Doombolt Chase, a six-part adventure serial that aired in March 1978.

Don Houghton, a writer who contributed to several Doctor Who and Sapphire & Steel episodes, penned the screenplay for this clever sci-fi adventure which centers around the British navy. When Commander David Wheeler ( Donald Burton ) rams and destroys an unarmed vessel without a motive he is court-martialed
and later imprisoned. His son Richard ( Andrew Ashby ), who believes that his father received secret orders to ram the vessel, embarks on a search for information that might clear his name. Joining him in the hunt are his friends Lucy ( Shelley Crowhurst ) and Peter ( Richard Willis ). Their investigations lead them into a dangerous web of intrigue and espionage involving secret codes and a deadly new weapon of war known as the Doombolt. 

The Doombolt Chase was the second of two naval-themed adventure serials produced by Peter Graham Scott that were aimed at teenage audiences ( Scott had also produced the chilling 1977 Children of the Stones serial ). It is an exciting little production that combines authentic action scenes with location filming, numerous plot twists, a spunky theme song, and some fine acting by veteran Brits such as Peter Vaughn and Frederick Jaeger. 
The Doombolt Chase has been beautifully restored and is currently available on DVD through Network Distributing Limited. If you're interested in this series, you may also enjoy Follow Me ( 1977 ). To check out other Network DVD release reviews simply click here

Thursday, November 16, 2017

The Impossibly Difficult Name that Movie Game

Oh, now doesn't this scene look familiar! You may not know the name of this actress, but you know the film. Look at all that sheet music....and yet, she doesn't even look at it when she plays. Why?

As always, if you are not familiar with the rules to the Impossibly Difficult Name that Movie game or the prize, click here!


GAME OVER. 

Congratulations to The Tactful Typist for correctly identifying this screenshot from The Spiral Staircase ( 1946 ). In this scene, the pianist is playing accompanying music to "The Kiss" which is appearing on the projection screen before her

Saturday, November 11, 2017

Joan Fontaine - A Rising Star

JOAN FONTAINE comes close to her famous one-picture-to-stardom Rebecca role in her currently releasing Suspicion with Cary Grant. And so, the great question of whether Miss Fontaine - or Mrs. Brian Aherne, if you prefer - was a flash in the pan is definitely settled. She's not. 

She is an actress of the first water, crystal-clear, no flaws, and far outshadowing the sister who long cast a shadow over her, Olivia de Havilland. A moving, intensely human story lies behind this fait accompli. 

A blonde, Joan has more than her share of good looks and a bright and charming spirit that has made her a favorite with all Hollywood. However, as a child in Tokyo, Joan was ill a great deal of the time. She was a lonely little girl because she did not have the strength to play when her necessary schoolwork was done. After her family had moved to San Francisco, Joan regained her health in the dry, sunlit air of Saratoga. 

Five feet three inches tall, Joan weighs 108 pounds, favors outdoor sports for exercise, specifically swimming and tennis at which she is adept. Her favorite hobbies are reading history and indulging her life-long weakness for Japanese art. 

It probably was Olivia herself who first challenged Joan to be something besides Olivia's sister. Five years ago Joan was just a stock player, a girl for whom the screen producers held little promise. Olivia had arrived and great things were in store for her. She got many of them except the part of Rebecca which little sister Joan swiped right from under her nose. Joan also won or was won by the talented English actor Brian Aherne, and between them, their mutual romance worked wonders in giving Joan new self-assurance. So inspired, Joan delivered to director Alfred Hitchcock an amazing Rebecca, dissolved the shadow of Olivia, and all the time was having gruesome bouts with hay fever (which she still has in its meanest form every year). 
Suspicion, a picturization of "Before the Fact," with Alfred Hitchcock again wielding the megaphone, is the story, most difficult to convey, of what goes on in the mind of a young wife infatuated with her swashbuckling, loving husband, who in all respects but his marital fidelity is a no-good loafer with what apparently is a tendency toward homicide for funds. It is a thrilling, chilling and superbly acted drama by Grant and particularly Miss Fontaine ... despite her hay fever ... and Olivia. -Evans Plummer

Joan Fontaine never really outshadowed her sister Olivia, but she did have a unique presence onscreen and made a number of really fine films. The above portrait of her is one of the loveliest we've ever seen. This article originally appeared in Movie-Radio Guide ( Vol. 11, No. 7 ) dated the week of November 22-28th, 1941. 

Movie Magazine Articles, another one of our ongoing series, feature articles like this reprinted for our reader's entertainment. Links to the original sources are available within the body of the text. In the future, simply search "Movie Magazine Articles" to find more posts in this series or click on the tag below. Enjoy!

Thursday, November 9, 2017

British Pathé - Fabric Pictures by Eugenie Alexander ( 1958 )

Our latest entry in the British Pathé series spotlights a 1958 newsreel about an artist who worked with an unusual medium - fabric. Her name is Eugenie Alexander and her artwork was famous enough to warrant the publication of a book "Fabric Art" published just a year after this short 2-minute newsreel was filmed. 

These days this type of fabric artwork is often called "textile collage" and, while the announcer proclaims that it had existed since ancient Egyptian times, it was rare to find such an artist working with this medium in the 1950s and is still quite rare today ( most collage artists prefer working with paper and glue ). Still, it is a lovely and colorful form of art and Eugenie's designs bring to mind the work of Charles Wysocki who liked to evoke traditional American folk art style in his paintings. 

Eugenie's patterns also remind me of the opening title credits in Walt Disney's Bedknobs and Broomsticks ( 1968 ) which were created by David Jonas and made to look like the 12th-century Bayeaux tapestry....one of the most magnificent examples of ancient fabric art. Her figures are lanky and the facial features medieval. 
Eugenie's husband, Bennett Carter, holds up some of her works for the camera to see, one of which is this pretty turn-of-the-century tableau ( shown above ). Although Carter is introduced as an "artist and teacher" I was not able to discover any background history about him. 

Ready to watch Fabric Pictures? Simply click on the link below. 

British Pathé - Fabric Pictures.

Other similar British Pathé clips : 

Nature Designs in Fabric  ( 1957 ) - 3:09 min
Fabric Painting and Printing ( 1955 ) - 1:58 min

Monday, November 6, 2017

From the Archives : Miracle in the Rain ( 1956 )

Van Johnson and Jane Wyman tenderly embracing in a scene from Miracle in the Rain ( 1956 ), a touching World War II romance film. In this scene, Johnson's character was about to be called away overseas and he had a feeling it would be the last time he would see his sweetheart. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store : http://stores.ebay.com/Silverbanks-Pictures

Tuesday, October 31, 2017

Devilry and Magic in Miracles for Sale ( 1939 )

Mike Morgan ( Robert Young ) is a skeptic. He was a former magician who now makes his living selling his magic tricks to other New York City magicians. "Miracles for Sale" is his tagline, and creating illusions is his racket. So, when he comes across a real-life mystery he naturally attempts to pick it apart to discover just what the "trick" is behind what he is seeing. 

Judy Barclay ( Florence Rice ) seeks Morgan's aid in unmasking a fraudulent medium and invites him to attend a seance at the apartment of Dr. Sabbatt ( Frederick Warlock ), a renowned magician. When the body of Dr. Sabbatt turns up dead in his own apartment and then disappears just minutes after being examined by the coroner, Morgan tries to unveil the trickery behind the disappearance but finds himself truly stumped. 

"Don't kid yourself....For several thousand years the human race has attempted to cross the threshold into the darkness of the unknown - call it the other world, if you like - because there is something there. And once in awhile, somebody gets pretty close to it."
Director Tod Browning, who made a name for himself with the pre-Code horror classics Dracula ( 1931 ) and Freaks ( 1932 ), directed this taut and tantalizing mystery that cleverly mixes devilry and witchcraft with modern-day magic acts. 

Miracles for Sale unites Young and Rice in the last of seven feature films they made together in the 1930s and boasts a wonderful supporting cast which includes Henry Hull, Lee Bowman, Cliff Clark, Gloria Holden, and William Demarest. Frank Craven also stars as Morgan's dad, a well-grounded man from the country who detests the hustle and bustle of New York City. 
While the gimmicks behind Miracles for Sale are quite clever ( especially the self-typing typewriter and the ghostly apparition next to Madame Rapport ), the real killer is easy to guess if you keep your eyes open wide. Diana, who has a knack for recognizing voices and faces, solved this caper within 20-minutes. 

Still, if you're looking to watch a good old-fashioned spine-tingling mystery for Halloween, you can do no better than Miracles for Sale. Tauro's snake-like eyes alone will give you the willies! 

Happy Halloween! 

Wednesday, October 25, 2017

Quiet as a Nun ( 1978 ) - Armchair Thriller

Armchair Thriller, a short-lived British television horror series of the 1970s, featured a number of genuinely creepy serials guaranteed to cover your skin with goosebumps. One of their best was Quiet as a Nun, a six-part serial that aired between April 18th and April 27th, 1978.

This episode centered around investigative TV reporter Jemima Shore, portrayed by the lovely Maria Aitken. Shore is an independent career woman who is having an affair with a married member of Parliament. She claims to be an agnostic and yet glimpses into her heart reveal that she still carries strong feelings for the convent school where she was educated as a girl. When she reads in the newspaper that Sister Miriam, a close friend from these school years, has passed away, she heads back to Blessed Eleanor's Convent in Sussex to attend the funeral. The nun's death was shrouded in mystery, her body being found in the secluded tower of the convent just days after she had announced her plan to change her will. Sister Miriam was an heiress who was to inherit one of the largest fortunes in Britain. 


"As a tower points towards heaven, so shall a man build his life in the direction of God. Yet even the highest tower can never reach the sky. Nevertheless, Man, by the grace of God and his own faith, may expect to reach heaven one day."
Mother Ancilla ( Renée Asherson ) is disturbed by her death, as is Jemima, and she asks the reporter to spend a few weeks holiday at the convent while quietly looking into the matter. After a second nun is mysteriously murdered, Jemima finds that not only has she been swept into a dark and sinister storm of fear but that other lives, as well as her own, may be in danger.

Quiet as a Nun was based upon the 1977 Antonia Fraser novel of the same name, a novel which P.D. James called "a judicious mixture of puzzle, excitement, and terror." The book played out like an adult version of one of Carolyn Keene's Nancy Drew series, but Julia Jones' engrossing screen dramatization instead paralleled Rumer Godden's In This House of Brede which featured a similar business-minded female protagonist who broke off an adulterous relationship after a visit to a convent. 

Both the Quiet as a Nun book and the television series circled around the mysterious faceless "Black Nun" who haunts the hidden passages underneath the convent, a story plot which was well adapted for both children and adult tastes, even down to the Scooby-Doo-like conclusion. 

The serial was revived for British and US audiences in 1982 as a PBS Mystery! television presentation. The popularity of this episode led ITV to produce a spin-off series in 1983 entitled Jemima Shore Investigates, which starred the equally appealing Patricia Hodge as the slender sleuth. Unfortunately, the scripts were not nearly as well written nor was the filming as expressive as in Quiet as a Nun
The serial is ideal viewing for a rainy autumn afternoon, particularly during this week approaching Halloween. It encaptures all the features you would hope to find in a ripping good mystery: secret passages, shadowy figures, cobweb invested crypts, disappearances, kidnappings, and even the prerequisite reading of a will. 

Also in the cast is Brenda Bruce as Sister Elizabeth, Sylvia Coleridge as Sister Boniface, Susan Engel as Sister Agnes, Doran Goodwin, Patsy Kensit, David Burke, and James Laurenson.

Ready to view Quiet as a Nun? Simply click here to watch it on Youtube. 

Saturday, October 21, 2017

British Pathé - Masks

There is such a wealth of visual material to be found online and delving into it on a daily basis is as refreshing as taking a swim in a cool pool. One of the most interesting fountains in the Youtube stream of entertainment is the British Pathé Collection, an archive of 85,000 newsreel and documentary clips dating from the 1910s to the 1970s. 

Since we enjoy sharing the film/TV treasures we are continually discovering, we are going to launch a new series highlighting some of the gems to be found in the British Pathé collection. These short posts will be released on a monthly basis, but please don't let this schedule stop you from perusing these clips in your own free time. They're inexhaustible. And quite entertaining. 

With Halloween fast approaching, we're going to start the series off with Masks, an approximately 4-minute collection of three separate newsreels dating from the mid-1930s. The first briefly shows the famous Polish artist Władysław T. Benda and his wife with some of the beautiful life-like masks that he made for costume parties and theatrical shows. Benda also created the original mask for the 1932 film The Mask of Fu Manchu. In the photo above, Jean Arthur is holding up one of Benda's creations. 
The next is a short clip of Swiss people in costume for their annual springtime celebration, and lastly, we see Duncan Melvin displaying some traditional ancient masks of African, Indian, and Australian cultures for initiations, witch-doctoring, and devilry. 

Mr. Melvin was the host of a 1937 television documentary series called Masks of the World ( yes, by golly, television was around back then ). For this series, he not only showed his audiences various masks from around the world but he would also demonstrate different mask-making techniques from artists such as Oliver Messel, Angus MacBean, and Henry Moore. 
For the British Pathé series, we'll be showcasing clips that cover a wide variety of rare and unusual subjects: the history of beards, miniature model-makers, cowboy artists, legends of Scotland, convent life, English royalty, sheep-herding, wallpaper production, etc. We hope you'll follow along and enjoy the series! 

Ready to watch Masks?

British Pathé  - Masks 

Friday, October 20, 2017

From the Archives : The Uninvited ( 1944 )

Alan Napier, Ray Milland, Gail Russell, and Ruth Hussey communicating with the dead in the classic ghost film The Uninvited ( 1944 ). 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store : http://stores.ebay.com/Silverbanks-Pictures

Monday, October 16, 2017

Der Schönste Tag Meines Lebens ( 1957 )

This is such a sweet film. Most of the Deutsche Heimatfilms are sweet as apple strudel, but Der Schönste Tag Meines Lebens is especially wholesome and delicious. It centers around a little orphan Hungarian boy named Toni, portrayed by that talented youngster Michael Ande ( The Trapp Family ). He befriends old Herr Blümel ( Joseph Eggar ) when he arrives in Austria with a boatload of other Hungarian refugees. Herr Blümel and Toni become instant friends and Toni comes to live with this lovable fellow in his house by the river. One Sunday, while attending church, Toni sees the Vienna choir boys ( die Wiener Sängerknaben ) singing in the choir loft and desires to become a "Sängerknabe", too. So, off to Wien Herr Blümel and Toni trek and the boy gets the privilege of being admitted to the choir because he has such a fine singing voice. 

The true Vienna choir boys not only sing but study and live together at the palatial Palais Augarten in Vienna. It becomes their school and their home for as long as they are members of the choir. One day per week their family and friends are permitted to visit them. 
Our Toni gets along well at the school until the first visiting day. He eagerly awaits a visit from Herr Blümel but does not realize that the poor old man had motorcycle trouble en route and could not come. All the other boys have their families with them, except for Toni....so naturally, he feels unloved and unwanted. 

Schwester Maria, the den-mother/nurse at the school takes compassion on the boy and agrees to be his mother while he is there. Toni loves her so much that, later, when Schwester Maria gets blamed for losing 1,000 Deutsche marks from the choir's funds, Toni lies to save her job and wrongfully confesses that he stole the money. 
Der Schönste Tag Meines Lebens is a well-balanced mixture of melodrama, light-hearted comedy, and music. It gives us a glimpse of the work-and-play life of the Vienna choir boys in much the same way that Walt Disney Studios would later showcase these boys in their 1962 film Almost Angels. This Austrian production was filmed on location in Vienna and in Hinterbichl in the Lasorling mountain range in East Tirol where the Vienna boys choir used to stay during the summers. 

Like most Heimatfilms, there is plenty of mountain scenery and some beautiful songs, sung by the Vienna choir boys, of course. But what makes this film really stand out is the performances from its principal players....Joseph Eggar in particular. He reminds me and my sister so much of our "Opa" ( our grandfather ), in his mannerisms and his genuine love for the little boy. 
Ellinor Jensen is also adorable as the tender-hearted Maria whom Toni comes to adopt as his surrogate mother. Paul Bösiger has a small part as Maria's love interest, and that legend in the German film industry - Paul Hörbiger - portrays the director of the choir, a kindly man. Rounding out the cast is Thomas Hörbiger ( Paul's son ) as one of the kapellmeisters and Richard Eybner, who is present for comedy relief.
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